Similarly, you could also use it to match a previous project’s audio by simply importing the audio into your current project and routing it into the EQ as a sidechain. You could use it during mastering to match with your reference tracks or even during mixing if two of your audio recordings sound different due to mic placements/different hardware. Furthermore, it features presets from various artists like Richard Devine, Jeremy Lubsey, John McCaig, etc., to help get you started.Įquivocate features an EQ tone matching feature that allows you to shape the sound of your audio to a sidechain input. Similarly, Equivocate also features an automatic gain compensation post EQ to keep the level of your audio consistent. Of course, you can also edit an individual band at a time. There are 26 bands in total, where you can draw curves by simply dragging your mouse across. This plugin is a simple yet highly detailed tool perfect for both mixing and mastering. The 7 Best Graphic EQ Plugins 2024 1.Newfangled Audio EQuivocateĮquivocate is a precise graphic EQ with MEL spectrum distribution and Match EQ functionality. So, if you are a fan of classic hardware, you should consider getting a graphic EQ. Similarly, some graphic EQ plugins come with analog curves and saturation. In addition, producers use modern graphic EQs mostly in the mastering process as they provide easier ways to shape your sound broadly. So, when the EQ works catering to your ear’s critical band filters, every change you make will sound natural and efficient. Since the frequencies of the bands are predefined, manufacturers often attempt to ensure that the selected frequencies and their filter shapes are based on human hearing. For example, if you decide to quickly boost a specific frequency in the middle of a concert, a hardware graphic EQ makes the job much easier. So, just like emulations of analog FET compressors or exciters, many graphic EQ software plugins also color your audio in unique ways, some of which are responsible for adding authenticity to the sound.Īlso, while it may not be as famous as it was in bygone days, it is still used in live performances and PA events. Most modern software graphic EQs are either hardware emulations or redesigned to fit the 21 st century needs. And those, of course, didn’t show what “shape” the EQ was in at a glance.ĥ Conclusion Why Do Graphic EQs Still Exist? Thus, the graphic EQ was preferred because the only alternative back then was to use an EQ unit with vague rotary knobs. Therefore, studios mostly used 31-band graphic EQs that divided the frequency spectrum by 1/3 octave per band.Īfter setting up, the sliders resembled the EQ curve that we are so used to nowadays in parametric EQs. A higher number of sliders gives a bigger “resolution,” so to speak. In a nutshell, here are the best graphic EQ Plugins:Ī graphic EQ is a type of equalizer plugin that arrays a row of sliders, each representing the gain of predefined frequency bands. However, in this article, we will explain why they were well-regarded in the past, how they can still be of use for you, and enlist some recommendations. To a modern musician, a graphic EQ may seem counter-intuitive compared to presently available alternatives. Whether you’re after a thoroughly convincing Minimoog or Roland TR-808, a Urei 1176 compressor or a granular sample mangling effect, there’ll be at least a handful of viable options out there to suit your creative needs and budget.While often publicly regarded as a thing of the past, many professionals still prefer graphic EQs for their simplicity and sound. There are literally thousands of amazing free and paid-for examples available in both categories, from emulations of pretty much every classic hardware synth and effect unit ever made, to mind-blowing new designs that could never exist in physical form. It was quickly followed by a handful of rival plugin standards, which today comprise Apple’s Mac-only Audio Units (AU), Avid’s Pro Tools-only AAX and RTAS.Ī plugin effect is a signal processing device such as a reverb, delay, compressor or EQ, while plugin instruments take in, amongst other things, synthesizers, samplers, drum machines and sample-based recreations of real-world guitars, drum kits, pianos, etc. Enabling anyone with the requisite coding chops to create virtual effects and, a few years later, instruments for use as ’plugin’ modules within any compatible DAW, VST at last realised the dream of the entirely-software studio and kickstarted a whole new industry almost overnight.
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